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1881
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WINTER
CONCERT Programme
VERDI
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REVIEW
- Richard Smith
"Fine medley of seasonal fare from CSO" Handel followed more sedately with Music for the Fireworks and here we had a chance to hear the talents of Phillipa Hadley, still at school in Chichester but performing in her orchestral debut with the CSO with confidence and authority on the timpani in this most elegant and regal offering. For many, the Serenade to Music by Vaughan-Williams was new or newish but the orchestra’s leader Mark Hartt-Palmer and guest harpist, Satu Salo, were much in control of this wonderfully evocative piece of orchestral writing from one of Britains’s finest composers and conductor Ralph Willatt’s choice for the orchestra brought out a display of the players’ skill and sensitivity. |
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| After the interval it was Mozart’s ever popular Don Giovanni’s Overture with all its mischievous mannerisms and wind, brass and strings showed the depth of the orchestra’s make-up and the results of the hard work that goes into weekly rehearsals. Tchaikovsky’s Sleeping Beauty Suite with sparkling melodies emerging from every department ended the concert on a highly festive note. | |||||||||||||||||||||||
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Festivities Concert
2003 The Chapel, University College of Chichester Monday 14th July 2003, 7.30pm Conductor: Ralph Willatt Leader: Mark Hartt-Palmer Programme Saint-Saens Danse macabre, Op.40 Rachmaninov Piano Concerto No. 2 in C Minor, Op.18 Soloist: David Alexander Elgar Imperial March, Op.32 Haydn Symphony No. 100 in G Major, 'Military' Offenbach / Rosenthal Suite 'Gaiété Parisienne' |
Spring Concert 2003 St. Paul's Church Conductor: Ralph Willatt Leader: Mark Hartt-Palmer Soloists: Mark Hartt-Palmer (Violin) Lilias Lamont (Viola) Programme
WAGNER |
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SPRING CONCERT REVIEW
- Richard Smith When Lilias Lamont and Mark Hartt-Palmer took the stage with Mozart's delightful Sinfonia Concertante for viola, violin and chamber orchestra, we were immediately in the elegance of an early spring evening, whether in Salzburg with the Archbishop or in our own daffodil-decked Chichester.
The
two soloists developed the score with a sonority and inventiveness only
Mozart could have envisaged. How good to hear a viola player taking equal
top billing with the violinist and with an orchestra balance just right to
give these two fine soloists the perfect background for their musical
magic.
AUTUMN Programme unavailable |
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